Jean-Phillippe Rameau was a towering figure in the development of:
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Who was Jean Phillippe Rameau
Jean-Phillippe Rameau was a towering figure in the development of the Baroque period, known for his music and theoretical work. Despite his international recognition, much of his music had never been published until attempts were made in the 18th and 20th centuries, which remained incomplete.
Rameau’s work on music had never been published until the attempts were made in the 18th and 20th centuries but hat attempts remained incomplete. Since 1991, Sylvie Bouissou has been working to expand the Rameau Opera Omnia at CNRS, which is supported by an international scholarly committee and the Societe Jean-Phillippe Rameau.
The project has received financial support from various organizations and has been published by Billaudot and since 2003, the Siciete Jean-Phillippe with worldwide distribution entrusted to Barenrieter.
Opera Omnia Rameau Edition
The Rameau Opera Omnia (OOR) edition is publishing, for the first time, a complete collection of Jean-Phillippe Rameau’s musical work, with a focus on both scholarly accuracy and the practical demand of the performers. The OOR includes an extensive exploration and discussion of all known musical, literary, and iconographic sources available for purchase and performance material available for hire.
The edition also features are detailed introduction in both French and English by the editor, a complete critical edition of the sung texts and music, critical commentaries providing information on the sources and variant reading, and appendices dedicated to sketches, the first version and rejected next version.
Jean-Phillippe Rameau: The Beginning of Music Theory
The 17th century, also known as the Age of Reason, was marked by the birth of the scientific method, which sought to understand the world through systematic observation, experimentation, and analysis.
French composer Jean-Phillippe Rameau, who lived during his period, was deeply interested in understanding music and specifically harmony, in scientific terms.
Rameau was the seventh of 11 children, born into a family of musicians. His father was an organist who initially wanted Rameau to become a lawyer but his passion for composing and singing soon led him to abandon his legal studies. At the age of 18, he traveled to Milan to pursue a music career.
After returning to France and settling in Parris, he made a name for himself as an organist and composer for the harpsichord. He eventually became one of the foremost French composers of his time, taking up the mantle left behind by his predecessor, Lully.
However, his legacy extends beyond the world of opera to the development of modern musical theory. He believed that the rules of harmony were derived from nature or what he called “the vibrant world” and that these rules governed all of music. Using mathematical proofs, he determined that every pitch has a harmony of its own, called the series of overturns.